Ed Littlewood Productions in assoc. with Holden Street Theatres, Royal Lyceum Theatre Edinburgh and the Stephen Dunn Theatre Fund present
Adelaide Fringe 2020 Reviews
★★★★★"If you only make it to a couple or so Fringe shows at Holden Street Theatres this year, certainly make Tartuffe one of them as it’s pure gold from start to finish." - Global Media Post
★★★★★ "Tartuffe was a sell out in Edinburgh, and I’d be very surprised if it doesn’t do just as well in Adelaide. It deserves to do so."- 5MBS
★★★★1/2 "It is nice to enjoy a classic tale retold so well." - Glam Adelaide
★★★★1/2 "This play is a riot - fast-paced, irreverent,witty, peppered with slapstick and rolling in broad Scottish dialogue. " - All About Entertainment
★★★★ "Wit, wiles and wicked behaviour make Liz Lochhead’s playfully poetic and politically incorrect adaptation of Tartuffe an outrageous confection from start to finish." - The Advertiser
★★★★ "This production is no imposter, it is the real deal." - The Serenade Files
★★★★ "There’s never been a Fringe offering quite like it and daresay there never will again."- The Barefoot Review
★★★★ "Come and have a wee laugh why don't you!" -The Clothesline
★★★★"But this is a special show that can take linguistic confusion and spin it into absolute charm – turning the theatre’s inner-arches into sounding boards for an entertaining take on an uproarious comedic-melodrama." - Fest Magazine
★★★★"the five-star cast do a grand job of cranking up the laughs. Falconer and Ward, in particular, bring a touch of clowning genius to their roles, torqueing face and body into eye-wateringly hilarious expressions of their inner emotions."- InDaily
8/10 "A lovely comedy that will have you laughing and barracking for the “good guys” in the room. Make sure you make the effort this Fringe to get to the Holden Street Theatre’s and see this production"- Eventalaide
"Be sure to put this one on your list of Fringe productions to see this year." - Broadway World
"Like single malt, the Scots dialect is delicious to hear. This Tartuffe is a wee treasure." - The Australian
"A brilliant addition of this year’s Adelaide Fringe Festival and is highly recommended." -Stage Whispers
Liz Lochhead's un-PC, rude, rhyming cut of Moliere's classic relocated to a 1940s Scotch living room. Con man Tartuffe, with his perfect mark in the gullible paterfamilias, will ruin them all. Unless, together, trophy wife and sassy maid prevail? Sex: men and women using it against each other. You have to laugh! Tartuffe is presented by Ed Littlewood Productions in association with Royal Lyceum Theatre Edinburgh and The Stephen Dunn Theatre Fund.
Directed by Tony Cownie, following a sell-out run at Oran Mor.
International Praise for Tartuffe
★★★★ "An hour well spent!" - UK Theatre Network
★★★★ "The cast give it pure laldy" - The Herald
★★★★ "Moliere himself might well have relished its pace, flair and earthy hilarity" - The Scotsman
★★★★ "delivers on the biting humour of the original, thanks to a high-quality local cast." - The Stage
The Royal Lyceum Theatre Company
Royal Lyceum Theatre Edinburgh is Scotland’s leading producing theatre, led by Artistic Director David Greig. With a strong reputation for excellence in both classical and contemporary work The Lyceum is committed to developing Scotland’s considerable indigenous talents while presenting the best of international drama.
About Liz Lochhead
Liz Lochhead is one of Scotland's true treasures, a highly honoured and inspirational poet, playwright, translator, and broadcaster.
Having written poetry as a child and whilst studying at art school, Liz Lochhead won a BBC Scotland Poetry Competition in 1971 and Gordon Wright published her first collection of Poetry, Memo for Spring, in 1972 under his Reprographia imprint.
Lochhead's success in poetry was rivalled by her writing for the theatre. Her plays include Blood and Ice (1982), Mary Queen of Scots Got Her Head Chopped Off (1987), Perfect Days (2000) and a highly acclaimed adaptation into Scots of Molière's Tartuffe (1985). She adapted the medieval texts of the York Mystery Plays, performed by a largely amateur cast at York Theatre Royal in 1992 and 1996. Her adaptation of Euripides' Medea won the Saltire Society Scottish Book of the Year Award in 2001. Her plays have been performed on BBC Radio 4: Blood and Ice (11 June 1990), The Perfect Days (16 May 1999), Mary Queen of Scots Got Her Head Chopped Off (11 February 2001) and The Stanley Baxter Playhouse: Mortal Memories (26 June 2006). Her adaptation of Helen Simpson's short story Burns and the Bankers was broadcast on BBC Radio 4 on Burns Night, 25 January 2012. Her plays Educating Agnes and Thebans premiered in the early 2000s, and in 2011 as part of the Glasgay Festival, Liz Lochhead's play Edwin Morgan's Dreams and Other Nightmares premiered at the Tron and it was revived three years later as part of the cultural celebrations for the commonwealth games. She has produced many new works for the Oran Mor in Glasgow, including Mortal Memories (2012) and Between the Thinks Bubble and the Speech Balloon (2014) with Tom Leonard, William Letford, Grace Cleary, and Henry Bell.
Liz Lochhead performs internationally in theatres and literary festivals, as well as appearing regularly at nights around Glasgow and Edinburgh.
Honours and Awards
In 2005, Lochhead became the Poet Laureate for Glasgow, a position she held until stepping down in 2011, when she was named as the second Scots Makar, or national poet of Scotland, succeeding Edwin Morgan who had died the previous year. She stepped down from this role in February 2016, and was succeeded by Jackie Kay in March 2016.
She was writer in residence at Duncan of Jordanstone College of Art and Design in 1980 and later at Glasgow University, The University of Edinburgh, Glasgow School of Art, the Royal Shakespeare Company, and Eton.
About the Cast
Harry Ward is an Actor/musician from Glasgow and has been working in theatre throughout Britain over the last 20 years, his most recent work includes:
The Steamie(Neil Laidlaw productions) What girls are made of(Raw Material/Traverse Theatre) The Dark Carnival(Vanishing Point) Janis Joplin Full Tilt(raw Material/regular music) Celtic the musical (Alterean Productions) Rhinoceros(Royal Lyceum Edinburgh)
Rocket Post(National Theatre of Scotland) Music is Torture(Tron Theatre/Tromolo Productions)Dick McWhitington(Perth Theatre) Para Handy(Pitlochry Festival Theatre).
TV Credits include: Trust me,Still Game,Waterloo Rd(BBC) High Times(STV) Taggart(STV).
Since graduating from Rose Bruford College, London, Nicola has worked extensively in Theatre, TV and Radio. A favourite’ with audiences at the Royal Lyceum Theatre in Edinburgh, she is also the writer of comedy sketch the Malaprop Sisters’ for BBC Short Stuff.
Theatre credits include:
An Edinburgh Christmas Carol, The Belle’s Stratagem (CATS Award: Best Ensemble 2018), Thon Man Moliere, Private Lives, Long Day’s Journey Into Night, Dark Road, Cinderella, The Marriage of Figaro, Beauty and the Beast, Educating Agnes, The Cherry Orchard. (*All Lyceum Theatre, Edinburgh) Tartuffe (Edinburgh Fringe. Ed Littlewood/Stephen Dunn in association with Lyceum ) Locker Room Talk (Traverse Theatre) Enlightenment House (Grid Iron) A Change In Management (Oran Mor) Christmas Carol (Cumbernauld Theatre); The Gardener – Winner, Herald Angel Little Devil Award (Cumbernauld Theatre/Edinburgh Fringe) Gap Years, Prom, Breaking the Ice (All Oran Mor); What Goes Around (Liz Lochhead); Bloody Trams (Traverse Theatre) Futureproof - Winner, The Scotsman Fringe First Award (Traverse Theatre/Dundee Rep) Aladdin (Glasgow Kings)
TELEVISION, FILM & RADIO
City; Hope Springs (Shed productions) River City (BBC Scotland) Malaprop Sisters (BBC) The Legend of Barney Thomson (Sigma Films) BBC Radio Drama includes: Rebus: A Question of Blood, The Strange Case of Dr. Hyde, A World Elsewhere, 44 Scotland Street, Shakespeare Stories.
Duration: 60 mins
Dates: 11 Feb - 15 Mar
14 - 15 Mar: 12:00pm
11 - 16 Feb 6:30pm
18 - 23 Feb 9:30pm
25 Feb - 1 March 6:30pm
3-8 March 6:30pm
10-14 March 9:30pm
7 March 12:30pm
14-15 March 12pm
Group (6+): $22.00
Fringe Members: $21.75
Companion Card holders welcome.
Venue: The Arch
HST are making every effort to make our performances accessible to all patrons. Accessible seating is available in The Arch.
Don't forget to tag us on social media!
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